Don’t sleep on Duncecap’s latest album, which dropped on January 26th this year. Initially, I forgot to add it to my itinerary, possibly because it wasn’t available on DSPs until March 1st. However, I’m glad I finally checked it out. I’ve been a fan of Duncecap since 2020 when he released his “Resting Dunce Face” album. His “Human Error” album with Samurai Banana and the “Go Climb a Tree” album with Hajino in 2022 were also impressive. I’m happy to report that this is the best project I’ve heard from Duncecap yet.
Since this isn’t a full review, I’ll highlight my favorite tracks. Track 2, “Thanksgiving,” instantly became one of my favorite songs of the year. The production is phenomenal, reminiscent of R.A.P. Ferreira with its jazzy, heady instrumental. Dunce’s flow and vocal inflections are superb, and the pacing and structure of the song are masterfully crafted. The beat switch after a minute and a half is fantastic, and Dunce’s lyrics are sharp and engaging. Track 5, “Two $2 Bills,” features incredible production that gives off a nostalgic vibe. Duncecap’s introspective lyrics about his relationship with bar environments are compelling. The beat evolves beautifully, and Dunce’s delivery is on point. This track might be even better than “Thanksgiving.” “Seems Like a Long Time,” track 6, is another standout with its amazing production. Duncecap’s flow and vocal delivery shine, especially when he’s singing along with the vocal sample. The guitar work by Andrew Gialanella throughout these tracks adds depth and richness. “Baby,” the shortest song on the album, is concise and impactful. Duncecap raps about toxic relationships with honesty and precision. Despite its brevity, it leaves a strong impression.
Track 10, “Ambitious,” features a stellar ShrapKnel collaboration. The jazzy, electronic-sounding production sets the stage for excellent verses from Curly Castro, Duncecap, and PremRock. The beat switch for PremRock’s verse is a highlight. The closing track, “Boundaries,” features Denmark Vessey and Googie, both delivering superb verses. Denmark’s personality shines through, and Googie’s unique voice and flow stand out. Duncecap’s final verse wraps up the album perfectly. This album is outstanding. The instrumentals are the best I’ve heard from Duncecap, with additional great beats from Quelle Chris and Lt. Headtrip. The lyricism is rewarding upon multiple listens, and all the features excel. This is the best Duncecap project I’ve heard and one of the best albums of the year. Duncecap’s production skills are so good that more rappers should be reaching out to him. I’m looking forward to his upcoming collaboration with Fatboi Sharif even more now. Check this record out and let me know your thoughts in the comments. It’s really great.
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